| (07.26) | Lady in the Water |
| (05.21) | Da Vinci Code, The |
| (05.06) | United 93 |
| (02.05) | King Kong |
| (01.29) | Syriana |
| (01.24) | Walk the Line |
| (01.05) | Chronicles of Narnia, The: The Lion, the Witch and the Wardrobe |
| (01.02) | Harry Potter and the Goblet of Fire |
| (12.30) | Jarhead |
| (12.27) | Wallace & Gromit in The Curse of the Were-Rabbit |
| (12.05) | randy: Polar Express, The |
| (12.02) | Geoff: Polar Express, The |
| (07.27) | Jen: Lady in the Water |
| (07.27) | Justin: Lady in the Water |
| (07.12) | Sarah: Da Vinci Code, The |
| (05.25) | Chris: Da Vinci Code, The |
| (05.25) | Acceler8: Da Vinci Code, The |
| (05.21) | Mr Plow: Da Vinci Code, The |
| (05.11) | Sarah: United 93 |
| (05.11) | Bread: United 93 |
Cop dramas have generally been done to death, in my opinion. It takes things such as the strong writing of L.A. Confidential or the gritty realism of Narc to make a police movie seem compelling to me. Dark Blue has one interesting element going for it: it takes place in Los Angeles in 1992, after the police-beating of Rodney King, and just days before the verdict of the four white police-officers charged with the assault is revealed. Strained ratial relationships are a key part of the film, and the anticipation of the verdict is an important part of the plot (namely, if the white police officers are pronounced innocent -- which they were -- the whole city was preparing for a large-scale riot -- which did happen).
Aside from this, though, there wasn't a whole lot in Dark Blue that was new or different than other cop films. Kurt Russell as the lead character, a tough, racist police lieutenant, was nothing spectacular, nor was his dorky rookie sidekick, played by Scott Speedman.
Not horrible, but not particularly memorable.
Holy sihznit, this is so cool thank you.
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