| (07.26) | Lady in the Water |
| (05.21) | Da Vinci Code, The |
| (05.06) | United 93 |
| (02.05) | King Kong |
| (01.29) | Syriana |
| (01.24) | Walk the Line |
| (01.05) | Chronicles of Narnia, The: The Lion, the Witch and the Wardrobe |
| (01.02) | Harry Potter and the Goblet of Fire |
| (12.30) | Jarhead |
| (12.27) | Wallace & Gromit in The Curse of the Were-Rabbit |
| (12.05) | randy: Polar Express, The |
| (12.02) | Geoff: Polar Express, The |
| (07.27) | Jen: Lady in the Water |
| (07.27) | Justin: Lady in the Water |
| (07.12) | Sarah: Da Vinci Code, The |
| (05.25) | Chris: Da Vinci Code, The |
| (05.25) | Acceler8: Da Vinci Code, The |
| (05.21) | Mr Plow: Da Vinci Code, The |
| (05.11) | Sarah: United 93 |
| (05.11) | Bread: United 93 |
A very early shot in the new Harry Potter film signaled to me just how different it was going to be compared to the first two (my short Chamber of Secrets review is here). It's inside Uncle Dursely's place, and they're standing at the front door as Aunt Marge enters. Unlike any shot in the first two films, this otherwise benign bit of the film was lit somewhat harshly; the film stock appeared a little grainy, and believe it or not, there was actually some hand-held camerawork. I knew then that Harry Potter and the Prisoner of Azkaban was going to be a much darker, more 'naturalistic' film than the rather sterile and overly-composed first two films in the series.
Chalk that up to director Alfonso Cuaron, a Mexican filmmaker whose previous work was the semi-erotic and dramatic road-trip film Y Tu Mama Tambien. He brings a lot of welcome 'dirt' to this new production, making the whole thing feel a little more foreboding than before, and making Hogwart's School of Witchcraft and Wizardry look like a centuries-old gothic castle, rather than a Disney-esque postcard building.
The characters themselves are a little more interesting this time out too, as their pre-teen angst starts to show through. Especially Harry. He learns that his parents were betrayed long ago by a ruthless wizard named Sirius Black (played by Gary Oldman), who was something of a henchman to Harry's 'arch-enemy', the very evil Lord Voldemort. Black was arrested long ago for murder, and locked up in Azkaban Prison, a wizard-jail guarded by sinister beings called Dementors who have the ability to suck out all of one's happiness and livelihood, leaving you devoid of anything but an acute sense of fear towards them. Sirius Black is the first wizard to have ever escaped from Azkaban, and everyone at Hogwarts feels certain that his purpose for doing so was to come after Harry and kill him. Enraged upon learning about the betrayal of his parents, however, Harry's anger towards Black overcomes any sense of fear, and Harry is determined to kill Black should he show his face anywhere near Hogwarts.
This is only the main part of the story, however, as there are many other subplots and side-stories throughout. My favourite involves a teacher new to Hogwarts, a strange and reclusive man named Professor Lupin (David Thewlis), with whom Harry strikes up an immediate friendship. Also entertaining in the "love to hate them" category is the bratty student Draco Malfoy (Tom Felton) and the stuck-up professor Severus Snape (Alan Rickman). My biggest complaint with the film is similar to what I felt about the first two: there's almost too much stuff going on. That didn't bother me too much in the book, as books are able to take much more time with their subjects. In the movie though, certain things just felt either rushed or extraneous. I give credit to the director for realizing this potential problem and actually cutting out some of the material that was in the book, but I get the sense that this will continue to be an issue with any future Harry Potter movies as well.
The Prisoner of Azkaban is the first of the Harry Potter books I've read before seeing the film adaptation. For what it is, I thought it was very well done and I had absolutely no issues with Cuaron's translation of text to screen. But I get the feeling that the Harry Potter series of books will never translate to great movies.
Sorry to be picky Geoff, but it is not Grandma Dursley. It is Aunt Marge, sister to Mister Dursley.
Iknow, I know. I am a freak.
And a double post here...
Movie was well done, yet left huge gaping holes in the plot. It relies very heavily on the viewer having read the book. I read the book, and understood the movie better than Ryan who (gasp!) has not read the books yet.
The feel to the movie is appropriate to the feel of the novel. Except for the fact that the portrayal of Draco Malfoy is COMPLETELY off, and not enough was made of the sudden appearances/disappearances of Hermione.
I think the real reason I am so fond of this movie is that I got to go to the set when I was in Scotland. Yes, I have been within touching distance of Hagrid's cottage, those strange standing stones, and the bridge Harry and Professor Lupin have a conversation on. Sweet.
Yeah, that would be pretty cool, Sarah!
I'm not so sure that I'd say there were 'gaping holes' in the plot. It's hard for us to know what it would've been like watching it if we hadn't read the books. I can understand someone like Ryan, who hasn't read the books, maybe not completely grasping everything that was revealed near the end. But in all honesty, even *I* had a bit of difficulty with all the revelations that take place in the Shrieking Shack, and I've read the back. I'd actually blame that on Rowling.
But I wonder if when you refer to those plot holes, do you maybe mean the stuff that was just completely left out of the movie? Like I mentioned, I think the director did a good job of trimming off a few unneccessary things that wouldn't make any difference to people who hadn't read the book.
Also, I'm curious how you feel that the portrayal of Draco was wrong.
Oh, and thanks for the correction :-)
The gaping holes.... hahaha... that was a bit harsh, eh? Maybe I am just too attached to the story as a whole, and this was my favourite book. They did leave a lot out, which I understand is necessary for length, but it is the little details that make the story work so well.
As for Malfoy... he was too spineless. The arrogance was there, but not enough. There is no way he would have been afraid of Hermione to the point of cowering before her. It was just... wrong.
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No qutesion this is the place to get this info, thanks y'all.
No qutesion this is the place to get this info, thanks y'all.
How can there be no cnmteoms on this post? Well, I think it is because it is so epic folks just don;t see it yet! Changing Klimt’s “Hope, II” to represent new colors and tie that into “Children of Men” and the whole vision of humanity as dependent on this African refugee is brilliant. What’s more, it smacks of the radical, revisionist movements in the 60s that began challenging all our icons as white, namely Jesus. This is very, very powerful stuff, and add your time-lapsed video of working in photoshop to the mix and it is a perfect ds106 post. PERRFECT!Awesome stuff here, Leigh.
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