| (07.26) | Lady in the Water |
| (05.21) | Da Vinci Code, The |
| (05.06) | United 93 |
| (02.05) | King Kong |
| (01.29) | Syriana |
| (01.24) | Walk the Line |
| (01.05) | Chronicles of Narnia, The: The Lion, the Witch and the Wardrobe |
| (01.02) | Harry Potter and the Goblet of Fire |
| (12.30) | Jarhead |
| (12.27) | Wallace & Gromit in The Curse of the Were-Rabbit |
| (12.05) | randy: Polar Express, The |
| (12.02) | Geoff: Polar Express, The |
| (07.27) | Jen: Lady in the Water |
| (07.27) | Justin: Lady in the Water |
| (07.12) | Sarah: Da Vinci Code, The |
| (05.25) | Chris: Da Vinci Code, The |
| (05.25) | Acceler8: Da Vinci Code, The |
| (05.21) | Mr Plow: Da Vinci Code, The |
| (05.11) | Sarah: United 93 |
| (05.11) | Bread: United 93 |
For the most part, Narc is a fairly staightforward cop drama. The storyline isn't unlike something you'd probably see on a number of TV shows, and there are a few moments that seemed pretty cliched from countless other cop stories (for example, it seems like almost all 'on-the-edge' cops have a wife that "can't take it any more" and threatens to leave).
But there were a few things that definitely set Narc apart and, overall, made it a really good movie. Jason Patrick and Ray Liotta as the two main characters were really good, and brought a lot of depth to their characters. I also really enjoyed the final act of the film, where it moves away from standard cop-story fare and really cranks up the intensity.
Finally, the film has an incredibly realistic and incredibly gritty look to it. I especially appreciated the opening chase sequence in which the camera follows the chase in a totally hand-held fashion without any attempt to keep the camera steady -- it really set up the gritty and intense overall feel of the film.
Narc didn't seem like anything exceptionally special to me, but it was a really solid, well-made flick.
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