| (07.26) | Lady in the Water |
| (05.21) | Da Vinci Code, The |
| (05.06) | United 93 |
| (02.05) | King Kong |
| (01.29) | Syriana |
| (01.24) | Walk the Line |
| (01.05) | Chronicles of Narnia, The: The Lion, the Witch and the Wardrobe |
| (01.02) | Harry Potter and the Goblet of Fire |
| (12.30) | Jarhead |
| (12.27) | Wallace & Gromit in The Curse of the Were-Rabbit |
| (12.05) | randy: Polar Express, The |
| (12.02) | Geoff: Polar Express, The |
| (07.27) | Jen: Lady in the Water |
| (07.27) | Justin: Lady in the Water |
| (07.12) | Sarah: Da Vinci Code, The |
| (05.25) | Chris: Da Vinci Code, The |
| (05.25) | Acceler8: Da Vinci Code, The |
| (05.21) | Mr Plow: Da Vinci Code, The |
| (05.11) | Sarah: United 93 |
| (05.11) | Bread: United 93 |
Last year's Ray set the bar pretty high for musician-based biopics. It was a serious film that treated its subject with as much brutal honesty as adulation. It held back no punches regarding the dark side of its 'anti-hero', which made all the more intriguing.
I admit I don't know much about either Ray Charles or Johnny Cash, but be it either the writing, the filmmaking, or simply the lives that those two men lived, I consequently found Johnny Cash and Walk the Line to be a slightly more interesting person and a more interesting film, respectively. And as good as Jamie Foxx was as Ray Charles, I thought Joaquin Phoenix disappeared even more into Johnny Cash. To top it off, Reese Witherspoon is great as well, and the music is wonderful.
Which came first, the problem or the sloutoin? Luckily it doesn't matter.
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